I’m excited to share my recent feature in A Woman’s Thing, where Lydia Nobles and I dove deep into the themes behind my solo exhibition, Best Laid Plans, held earlier this year at Peninsula in New York.
As Lydia so eloquently captured, my work explores how personal narratives can become universal reflections, highlighting the tension between intention and outcome in the creative process. In our interview, we discussed how imagery drawn from my own life—red shoes, braids, rainbows—takes on layered, sometimes contradictory meanings, offering viewers an opportunity to bring their own interpretations to the work.
The conversation also touched on how my upbringing informed the paintings in Best Laid Plans, as well as the challenges of translating memory into visual form. It was a rewarding opportunity to reflect on how objects and gestures can act as symbols that bridge the personal and collective, while also embracing the unpredictability of artistic creation.
You can read the full interview here. I hope you’ll check it out and let me know your thoughts! Thank you for your continued support—it means the world to me.
